https://nova.newcastle.edu.au/vital/access/ /manager/Index en-au 5 https://nova.newcastle.edu.au/vital/access/ /manager/Repository/uon:7299 and WLSCM. I argue that performers have been the major protagonists in the recovery of the cantata genre in modern times. Three questions are considered. First, why have Alessandro Scarlatti’s cantatas not received a comprehensive edition, whereas other repertoires from this period (e.g. Vivaldi’s concerti) have been edited and performed many times? Second, is there a viable alternative to the complete edition as a means of disseminating this repertoire? Finally, I consider the role of repeat performances, and interpretations of a specific work by different performers, in creating a concept of the cantata repertoire.]]> Wed 11 Apr 2018 11:07:23 AEST ]]> https://nova.newcastle.edu.au/vital/access/ /manager/Repository/uon:13944 Mon 10 Sep 2018 12:55:52 AEST ]]>